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A figure behind a misted window turns its face away and closes its eyes in an attempt to evade the lens of the photographer. The metro passenger is crushed between fellow-commuters and unable to move when photographer Michael Wolf points his camera at him from the other side of the glass. Over the 2010-2013 period, Wolf returned time and time again to the same metro platform in Tokyo to lie in wait for his passing prey. The result is Tokyo Compression, perhaps Wolf’s most renowned photo-series, in which he explores the subjects of privacy and voyeurism in great detail. In the densely populated world cities where Michael Wolf works, these themes are unavoidable. The Hague Museum of Photography is about to exhibit a major retrospective of Wolf’s work, stretching from his earliest years as a documentary photographer right through to relatively recent series like Architecture of Density (2003 – 2014) and Transparent City (2006).

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